The Development of Dialogic Music

This activity can not be described as purely a sonic-based or music compositional action. I have found that this activity involves the creation of new musical instruments, interdisciplinary collaborations, new scoring techniques and a renegotiation of the tradition role given to the composer / director. however, these activities are not the subject of my research. the outcomes of my research are intended to experiment with in-between-ness. this is relationship and dialogue grounded in actual encounters. this is against connotative, symbolic, systematic and fully predetermined approaches. this is ‘non-objective’ in the way I aim this work to discourage objectification. and it is an experiment, and I do other things, but they are mostly on hold for the moment as I confront this project.

For details on my next performance titled composition e visit: http://www.compositione.com

Further information can often be found at: http://www.forusnow.co.uk/ps/

Thank you,
Paul Stapleton